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The white creature Lies in a coffin; How in nature Everything seems to me in mourning! The forgotten dove Weeps and dreams of the absent one.

My soul weeps and feels That it is deserted! Over me the vast night Spreads like a shroud. I sing my song That only Heaven hears: How beautiful she was And how I loved her!

I shall never love A woman as much as her Lamento" On the Lagoons: Lament , with its sombre harmonies and orchestration is imbued with melancholy; the undulating accompaniment suggests the movement of the waves.

The poem is the lament of a Venetian boatman at the loss of his beloved, and the pain of sailing out to sea unloved.

Tant d'espace entre nos baisers! Come back, come back, my beloved! Like a flower far from the sun, The flower of my life is closed Far from your bright red smile!

Between our hearts what a distance! So much of space between our kisses! O great desires unappeased! Come back, come back, my beautiful beloved! Between here and there what fields, What towns and hamlets, What valleys and mountains, To tire the hoofs of the horses.

The rhetorical "Absence" pleads for the return of the beloved. Rushton suggests that unlike the other five songs, this one may make use of existing music, written for an abandoned cantata , Erigone , and this possibly explains why in this song alone Berlioz cut and rearranged Gautier's verses.

Do you know the white tomb, Where there floats with a plaintive sound The shadow of a yew tree? On the yew a pale dove Sitting sad and alone at sunset, Sings its song: An air morbidly tender At once charming and deadly, That hurts you And that one would like to hear for ever; An air like the sigh in Heaven Of a loving angel.

One might say that an awakened soul Weeps under the ground in unison With the song, And for the misfortune of being forgotten Complains, cooing Very softly.

On the wings of the music One feels slowly returning A memory. A shadow, an angelic form Passes in a shimmering ray In a white veil. The belle de nuit flowers, half closed, Cast their weak and sweet scent Around you, And the ghost in a gentle pose Murmurs, stretching its arms to you: Never again by the grave Will I go, when evening falls In a black cloak, To hear the pale dove Singing at the top of the yew Its plaintive song.

Clair de lune" At the Cemetery: Moonlight , is a further lament, with the bereaved lover now more distant from the memory of his beloved, and perturbed by a ghostly vision of her.

La voile enfle son aile, La brise va souffler. Est-ce dans la Baltique? Dans la mer Pacifique? La brise va souffler.

Tell me, young beauty, Where do you want to go? The sail swells its wing, The breeze begins to blow. The oar is of ivory, The flag is of moire, The rudder of fine gold; I have for ballast an orange, For sail an angel's wing For cabin boy a seraph Tell me, young beauty, Where do you want to go?

Is it to the Baltic? To the Pacific Ocean? The isle of Java? Or perhaps to Norway, To pick the snow-flower Or the flower of Angsoka?

Tell, me, tell me, young beauty, tell me, where do you want to go? Take me, says the beautiful one, To the faithful shore Where one loves for ever!

That shore, my dear, Is almost unknown In the land of love. Where do you want to go? The breeze begins to blow. Rushton describes the song as "cheerfully ironic", set by Berlioz "with a Venetian swing".

The growing popularity of the work was reflected in the number of complete recordings issued in the LP era. The piano version has been recorded from time to time, and there have been three studio recordings of the orchestral version with multiple singers, as stipulated in the orchestral score; these were conducted by Sir Colin Davis , Sir John Eliot Gardiner and Pierre Boulez.

List of Affiliation Partners within Prefectures. Archived from the original on 5 February Retrieved 21 November Retrieved from " https: Views Read Edit View history.

In other projects Wikimedia Commons. This page was last edited on 8 September , at By using this site, you agree to the Terms of Use and Privacy Policy.

A general view of Nuits-Saint-Georges. Wikimedia Commons has media related to Nuits-Saint-Georges.

Rushton suggests that unlike the other five songs, this one may make use of existing music, written for an abandoned cantataErigoneand this possibly explains why in this song alone Berlioz cut and rearranged Gautier's verses. Retrieved Beste Spielothek in Münchshöf finden November How beautiful she spielautomaten tricks book of ra deluxe And how I loved her! Stage 7 of the Tour de Francefinished here on the 7 July It is fine-grained and capable of accepting a polish. The stage was won by Marcel Kittel. Texas holdem wertigkeit back, come back, my beautiful beloved! Dickinson wrote in a study, "Their common theme is nominally love unrequited or lost, symbolizing, arguably, an ache for vanished or unattainable beauty. This page was last edited on 21 Octoberat O sizzling hot tips and tricks who caused my death Without being able to chase it away Every night my rose-coloured spectre Will dance by your bedside.

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Gathering the pearls underfoot, That one sees shimmering in the morning, We will hear the blackbirds Whistle. Spring has come, my lovely, It is the month blessed by lovers; And the bird, preening his wing, Speaks verse from the edge of his nest.

The first of the set, "Villanelle" is a celebration of spring and love. It tells of the pleasures of wandering together in the woods to gather wild strawberries, returning home with hands entwined.

The setting is strophic ; Berlioz maintains the villanelle rhythm of the original poem, while varying the orchestral accompaniment with string counterpoints , and, at the end of each verse, a bassoon solo, pitched higher at each iteration.

Rushton comments that these variations "add to the sense of the natural variety and freshness of spring". O toi qui de ma mort fus cause, Sans que tu puisses le chasser, Toutes les nuits mon spectre rose A ton chevet viendra danser.

Mon destin fut digne d'envie: Ci-git une rose, Que tous les rois vont jalouser. Open your closed eyelids Touched by a virginal dream!

I am the ghost of a rose That you wore yesterday at the ball. You took me, still pearly With silver tears, from the watering can, And in the starlit party, You carried me all evening.

O you who caused my death Without being able to chase it away Every night my rose-coloured spectre Will dance by your bedside.

But fear not, I claim neither Mass nor De Profundis. This light scent is my soul And I come from Paradise My destiny is enviable And to have a fate so beautiful More than one would have given his life; For on your breast I have my tomb, And on the alabaster on which I repose A poet with a kiss Wrote, "Here lies a rose Of which all kings will be jealous.

Although the rose has died, it has ascended to paradise; to have died on the girl's breast was a fate that kings might envy. Ma belle amie est morte: Dans le ciel, sans m'attendre, Elle se retourna; L'ange qui l'emmena Ne voulut pas me prendre.

Que mon sort est amer! Je n'aimerai jamais Une femme autant qu'elle. Sans amour s'en aller sur la mer! My beautiful friend is dead, I shall weep always; Under the tomb she has taken My soul and my love.

To Heaven, without waiting for me, She has returned; The angel who took her Did not want to take me. How bitter is my fate!

Without love to sail on the sea! The white creature Lies in a coffin; How in nature Everything seems to me in mourning! The forgotten dove Weeps and dreams of the absent one.

My soul weeps and feels That it is deserted! Over me the vast night Spreads like a shroud. I sing my song That only Heaven hears: How beautiful she was And how I loved her!

I shall never love A woman as much as her Lamento" On the Lagoons: Lament , with its sombre harmonies and orchestration is imbued with melancholy; the undulating accompaniment suggests the movement of the waves.

The poem is the lament of a Venetian boatman at the loss of his beloved, and the pain of sailing out to sea unloved. Tant d'espace entre nos baisers!

Come back, come back, my beloved! Like a flower far from the sun, The flower of my life is closed Far from your bright red smile!

Between our hearts what a distance! So much of space between our kisses! O great desires unappeased! Come back, come back, my beautiful beloved!

Between here and there what fields, What towns and hamlets, What valleys and mountains, To tire the hoofs of the horses.

The rhetorical "Absence" pleads for the return of the beloved. Rushton suggests that unlike the other five songs, this one may make use of existing music, written for an abandoned cantata , Erigone , and this possibly explains why in this song alone Berlioz cut and rearranged Gautier's verses.

Do you know the white tomb, Where there floats with a plaintive sound The shadow of a yew tree? On the yew a pale dove Sitting sad and alone at sunset, Sings its song: An air morbidly tender At once charming and deadly, That hurts you And that one would like to hear for ever; An air like the sigh in Heaven Of a loving angel.

One might say that an awakened soul Weeps under the ground in unison With the song, And for the misfortune of being forgotten Complains, cooing Very softly.

The stage was won by Marcel Kittel. The town owes much to the economic development arising from Cistercian enterprise.

The mayor of the town Franco de Martino brought them out of debt in From Wikipedia, the free encyclopedia. Archived from the original on List of Affiliation Partners within Prefectures.

Archived from the original on 5 February Retrieved 21 November Retrieved from " https: Views Read Edit View history.

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